Shetland Notes 2: Perspective

I am excited to at last be making my animation idea come to life with film maker JJ Jamieson here in Shetland.  Originally conceived on Isle Martin 2 years ago the animation will be an integral part of my exhibition ‘Neo-Terra’ at Da Gadderie (Shetland’s museum & archive) in the autumn

IMG_1306

With such perspectives Shetland is the perfect place to be creating a film about a newly discovered archipelago.

srrounded by coastlines

With a sea/land interfaces all around. I am constantly stopping on route to take seascape and coastline shots to add to my  reference shots of the Summer Isles in Ross-shire, recorded there last month . All of these shots are  helping me to construct my island sets.

animation prep

Preparation of the sets is taking place at my temporary workspace appropriately at a recycling unit  Enviroglass a Shetland Amenity Trust enterprise, where glass bottles are crushed and used as aggregate to make concrete products

best filming shot  rendering shots

The plan is to make 2 min long animated film using footage from both the Summer Isles and Shetland. Over Ninety percent of the materials being used are recycled materials, the majority of which have been collected from the beaches here and in Ross-shire.

Shetland Notes 1: Docked

IMG_1280Firmly docked in Shetland I am now happily tied up with the Littoral Art Project for the next 2 months.   Many  Many thanks to North Link Ferries for their support and a smooth crossing on MV Hrossey.

 

 

 

 

IMG_1269

Greeted by a wintery day – I am glad to be back and  to begin making an animation film with JJ Jamieson and to lead educational workshops in partnership with Shetland Amenity Trust to schools and organisations across the islands. We will be investigating the longevity of plastic and ways to creatively help to reduce the waste that’s picked up off beaches every year. This week is the annual Da Voar Redd Up the UK’s biggest spring clean up, the beach clean event that I took part in last year with Scalloway  School

Burwick beach WS before DSCF9507 IMG_1293

On route to spend my first few nights on the West side of the mainland I stop to check out a beautiful beach Sand Sound, perfectly named.  On arriving I see the Redd Up bags mounded up with random objects on top car bumper with nets thrown over and meet nearby resident Mike Barnett collecting litter along the beach. Like thousand’s of other Redd Up volunteers this week he has been well at work picking up and bagging every type of beach litter.   You can see the great work that community members have achieved if you go to the Dunna Chuck Bruck   As Mike bows down picking up pieces of cord and rope in the  wind, he voices what many  volunteers over the past 4 years have said to me about litter picking ‘It becomes so addictive , especially when you know if you leave a piece by next year it will be broken down into 4 pieces then the next 8 pieces …..and on’

IMG_1302

This is a common addiction I sharealong with most beach cleaners i.e. the compulsion to keep going, picking up piece after piece even when you’re tired and its freezing cold and snowing like today! The compulsion is that the more you pick up the cleaner you leave it, which is of course true BUT sadly we know only too well it’s only a temporary fix.  The gratifying ‘high’ only lasts until the next spring tides

My aim in creating this project and travelling to communities on the frontline of the issue is to inspire us to find ways to reduce the waste in the system and to be more sustainable which inturn allows us to negate the need for this addiction.

Keep tabs on the Littoral story  by clicking  the follow button on this page and confirm with Word Press when prompted. Please pass the link on to as many people as possible and if in Shetland get in touch if you find any plastic rocks ‘Plastiglomerates’ like the ones below  as I am collecting them to use in my work and am happy to pick them up.

IMG_4456  Plastic Rock  Burn beach melted rope plastic rock reveal copy

In the meantime well done to everyone who has/is taking part in the Redd Up here in Shetland and all spring MCS Beach Clean events  around the UK !

Invitation to Encounter Deep Time

Over the last 6 months I have  attended a fascinating and challenging series of  workshops and keynotes lectures organised by the Edinburgh Environmental Humanities Network  entitled

Unexpected Encounters with Deep Time

This week I am delighted to be joining the first workshop panel on Haunted Futures where I will share my encounter with Deep Time within the littoral zones of the Scottish coastline over the last 3 years and the haunting affect the experience has had on me as an artist , educationalist and activist

I intend to share imagery from my recent expedition trip to Isle Martin that reveals the ghostly presence of the Plastiglomerates, ‘rocks’ made from burning our discarded plastic waste and how camoflauged within the beach substrates they chillingly link  us  to distant geological times  both in the past and future.

plastic rock reveal copy

The workshop is free and open but it is essential to book through Eventbrite, I hope you might be able to join us

Unexpected Encounters with Deep Time: Haunting
9-5pm, Wednesday, 20th April 2016
Project Room, 50 George Square, University of Edinburgh

Please register for this event via this link: https://www.eventbrite.com/e/unexpected-encounters-with-deep-time-haunting-tickets-23820926031

 

 

Expedition – Isle Martin

25th March: Travel to the NW coast: As I joined the Edinburgh ring road with thousands of other travellers queuing to leave Edinburgh on Good Friday the overhead digital roadway sign lit up with

TAKE YOUR LITTER HOME

The irony made me smile as I slowly edged across the Firth of Forth to begin the first leg of journey to North West Highlands GeoPark where I will base myself over the next few weeks to collect plastic rocks ‘Plastiglomerates’ from  beaches I have surveyed over the last 3 years.GeoPark samples from research trip

The plastic rocks I am hunting have been formed primarily over the last few decades and are still being ‘made’ today by people burning plastic litter that regularly builds up into vast mounds particularly on exposed westward facing beaches along our coastline. A sample of the burnt melted version of such litter ‘plastic rocks’ sits on my dashboard along with other rocks from our beaches .

 

 

My aim is to catalogue, map and collect these ‘rocks’ with which I will create an art installation to visualize the increasing volume of plastic pollution on our beaches and its projected longevity.

I took my time over a few days to slowly make my way north, to enjoy the increasing height and mass of the landscape that the A9 cuts through and to consider the depth of time that the geological sequences have taken place over. So many laybys along the way provide wonderful viewpoints and opportunities to re-acquaint myself with the changing rocks at each location. Sadly, at every stop there is always plastic litter

I put such thoughts to the back of my mind as I arrive in beautiful Ullapool. A small town and port which now I feel at home in, after living here many times over the last 3 years and having got to know and make friends with many people having worked with local schools and lead workshops at An Talla Solais (Ullapool Arts Centre) and Ullapool Museum. This project and I rely on so much support from a wide group of friends and organisations in the area. For this trip in particular I have to thank Isle Martin Community Trust for letting me stay on Isle Martin and John MacIntyre (JM) for loaning me his dinghy and providing a ferry for my heavy kit.

Expedition Log

28th March: Rowed to Isle Martin from Ardmair slipway. Re-tracing many trips I made in 2014 when I was in residence here, arrived just as the light was fading over the harbour houses

  rowing across 1  Arrival at dusk cropped

29th March: bright sunny morning

Set up my base in the Old Mill House above the harbour connected up a small solar panel to charge the 12V battery to enable me to recharge laptop, phone and all important cameras.

Beach –pleased to see the beach is so much cleaner than 2014 when  two teams of volunteers from Ullapool High School and Ullapool residents rowed out to help  tow hundreds of plastic items off the island on World Environment Day.  In total ???? Kg s of litter was removed then since then volunteers of IMT have kept up removing new litter and the beach looks much cleaner!

IM clean beach   notation system

Looking a long the beach I wondered whether I would in fact find many Plastiglomerates may be I had collected most of them on my previous research residency here. After reacquainting myself with spotting the well camouflaged ‘rocks’ often pale grey in colour and lodged between the grey cobbles I organised my search by dividing the length of the beach into  4 sections approximately 25m in length and into zones 5 m wide.

Within a few hours had filled containers with  over a hundred plastic rocks of various sizes from along the first 25m section of strand line

29th MArch IM collecting PR's       begining to collect

30th March:   bright, sunny/cloudy westerly cold breeze, heavy showers mid day, clear evening

Equipment: set up solar panel & battery

Beach: collected and recorded ‘rocks’ in the lower zones of section 1 & 2, began recording rocks that still had some identifiable element of the object in them, their previous  manufactured forms.

Part melted object cap 1 part melted object cord

Equipment : Problem with charging laptop and phone from 12V battery – after much angst and colourful language decided I had to go back to the mainland for replacement inverter & tech support. Consolation –  fabulous sunset over the Summer Isles and clear views of constellation from Ullapool campsite. Frost  down to the beach

31st March: hitched a lift back to the island with two friends John & Jan plus her dog  Drift

Beach : Headed straight to the beach and began collecting ‘rocks’ in the sun and showers.

dramatic afternoon light

Happy to share this beautiful beach and changing light with two Isle Martin Trust members who share my concerns for the environment.

Jan a great naturalist lent a hand hunting for ‘Plastigomerates’ while we discussed the dramatic light changes over the loch and identifying birds flying into the bay.

Making our way along the steep section of the beach discussing the geology of the North West Jan lends me her hammer and we begin to investigate what’s beneath the top layer of pebbles, depressingly in this section plastic cementing large areas of cobbles together.  I decide to record the obvious locations of burning .

looking for rocks   uncovering rocks

1st April Clear:  grey but even light

Mill House: catch up on making notes

Equipment: unfortunately now have problems with accessing Word Press. So this Expedition log will have to be posted retrospectively when I’m back on the mainland next week, as I need to make the most of the my time on the island to finish collecting rocks and most importantly begin filming the back drop images of the loch for my animation.

simple filming set up 1   test shot IM beach 1  test shot IM beach 2  watching & waiting patiently

Beach: set up and carried out a series of test shots at different locations along the beach, began to realise how difficult filming on a cobble beach is especially near the tide line. My aim is to get a series of point of views looking west throughout the day with patient companion waiting above the strandline. Now know why feature films take so much equipment, people and time! Returned to Mill house to down load rushes and compose and send questions to JJ Jamieson (animation/film partner)

Mill House: tried again to access website, NO Success! Deep breathing and realisation of how much preparation testing is needed for even simple expedition trips to run smoothly.

Beach: Continued to collect ‘rocks’ and record particular specimens to illustrate the forms they take then return to the workshop set up in the Macleod House  to sit and make close observations. Specifically on the haunting nature of these rocks. Repetitive words run through my note taking, disguised, camouflaged, predominantly grey, solid, fragile, veined.

plastic rock disguise copy    plastic rock reveal copy

2nd April: sunny, bright, westerly winds

Equipment: set up solar panel to make the most of the sunlight

Beach: shoot more background footage trying to keep remember to avoid filming boats, birds and ironically some one’s bin liner with plastic litter in. Annoyingly close but just out of reach.

Mill House: made the most the sun, sat sorting and counting the first trays of plastic rocks from the beach. Decided to categorise and count the rocks by size to allow comparisons later.

Plastic rocks section1 Zone 1 - Copy 

In total I had collected 160 plastic rocks in the Section 1 of the beach located at the south end of the beach, the majority of which where the smallest size ie less than 5cm.

 

 

 

 

3rd April: Dreich and still after strong easterly winds and rain over night

Beach: continued to collect ‘rocks’ on the 4th northly section and began to carry the full containers of ‘rocks back to the Macleod House/workshop. Spent a couple of hours sorting, sizing and counting. Many more rocks in this section. A total of 276. Again most were the very small size rocks.  Looked up from counting to see my friends arriving with Sunday lunch provisions and enthusiasm for a few hours ‘rock’ hunting! Working together we searched the grass line of this last section, which receives the most direct impact of any southerly winds, so we picked tens of small ‘rocks’ from the grass and another toy commando to observe while making my animation model!

another comando grid referencing

Waved Sara & John off in the afternoon and headed back to counting the buckets of ‘rocks’, totaling  204  in Section 3

4th April: forecast set fair for the morning

Beach: set up on the camera and tripod on the tide line to try again for elusive shots of the loch I had in mind. Struggling again on the rocks finally took shots with the camera/iphone held on to a boulder with the Tack I nornally use for sticking notes to the wall. Amazingly it held steady and allowed me to get the angle I wanted below the plastic rocks I had positioned.

simple filming set up 1  test shot IM beach 1  test shot IM beach 2  watching & waiting patiently

Oyster catchers and grey legged geese calling and Cal (my faithful companion) sat patiently waiting at the back of the beach while I film up until the rain arrives at 13.09 precisely. Tried working under an umbrella before retreating for food, shelter, and final counting session.

Mill House: spent my final night on this expedition to Isle Martin, reflecting on my experience.

  • Appreciation of the natural beauty of this small Summer Isle, the potential that it holds ecologically and socially in the area
  • Shock at total number of rocks I found 1,147 and the indications that there is much more under the successive layers of cobbles on the beach
  • Understanding the importance of rigorous technical checking of equipment before working remotely off Grid
  • Realisation of how each day’s work is crucially dependent on the weather
  • Gratitude to all my friends in the area who have lent a hand collecting and ferrying replacement kit to me

    final PR map notes 1 copy   final PR map notes copy   final PR map notes 2

5th April: grey, low clouds with light rain

Isle Martin: morning spent packing Mill House base up, and boxing up all 1,147 Plastiglomerate ready for transporting back to the mainland for me to use to make artwork. Heavy work shifting kit down to the pontoon and onto JM’s boat. Thankfully JM assisting and only having a short row with the kit from the mooring to slipway at Ardmair.

PR s packed Box 2

 
ISle Martin from Cula na Craig

Now back on the mainland and happy at last to post my Expedition Log and to begin to process my findings as I move north to continue to film more views of the Summer Isles, pausing briefly at Cul na Craig to see a new perspective of Isle Martin, the islands northern cliffs.

2016-17

2016 post 2My itinerary for 2016-17 is taking shape, I hope you can join me along the way on this exciting journey on the beaches, in the galleries or on line…..

March- April : West Coast

o Finalising  artwork for the ‘Guide to Beach Litter’

o Location filming on Isle Martin (28th-4th April)

o Collecting & classifying materials

April – June : Shetland 2016 post 1

o Delivering educational workshops

o Animation filming & editing

o Collecting & classifying materials

o May 5th World Environment Day Event

o Exhibition preparation for Shetland Museum

 

2016 post 5Sept -October:Shetland

o  Residency at Sumburgh Head Lighthouse

o Construction of interactive Pod

o Printing limited edition maps

o Install the exhibition

o Show opens at Da Gadderie  Shetland Museum – 8th Oct

o Show continues until 12th Nov

                                  2016 2017 post

2017: Ullapool  

o Production of 2nd Exhibition Map

o Exhibition preparation in Ullapool

o May 5th World Environment Day Event

o Summer Exhibition at An Talla Solais Gallery (information to follow)

o Project /exhibition evaluation and plans

I will be updating this outline itinerary over the coming months and  I will be posting an Exhibition Press Release on the 1st March which will be down loadable. I am looking to build media interest in the exhibition  over the coming months and would much appreciate and suggestions of contacts in the environmental and arts press and beyond.  Please leave a comment below or send a message  littoralartproject@btinternet.com or via @LittoralArt

Many thanks to my collaborators JJ Jamieson and Dr Phillip Cowie , partners Shetland Amenity Trust, An Talla Solais, Isle Martin TrustShetland Museum and to supporters Creative Scotland, Sumburgh Head, Shetland Arts  and Crowd Funding Sponsors  for making this exhibition programme possible

CS logo 1 copy

ArtCOP2015

As the world leaders come together this week to address the crucial issues of how come to agreements to slow down and stop Global Warming caused by our ever increasing CO2 emissions and destruction of the forests, artists all over the world are making work and running events to draw attention to the issue.

My contribution is to visually summarise in a simple way the volumes of waste I have witnessed on the beaches around Scotland over the last 2 years and the wasted energy that represents. With the help of scientist John McIntyre who has generously shared with me his recent research into Plastic Data, I am quantifying the embodied energy that each cube represents as it sits on the beaches and is buried in landfill.

I have selected 5 common plastic beach litter items to stack and combine into measurable cubes so I  can quantify the energy content of the discarded waste on beaches over the duration of the Climate Change Conference, both the images and calculations will be shared here on the blog and on Twitter @LittoralArt 

#COPcube [1. Polypropylene]

COPcube1

 

 

 

 

 

 

 

 

Dimensions: 10 x 10 x 10 cm

Material : sections of prawn boxes corrugated plastic/twin wall plastic sheets. Produced from High-Impact Polypropylene PP           Weight: 1280g                Embodied energy content: 3.72 litres petrol or 122.1 MJ/Kg  Location: Loch Broom, Ross-shire beaches

 

#COPcube [2. Polyethylene]

COPcube2Dimensions:15 x 15 x 15 cm                               Material : strapping used to hold together fish/prawn/packaging boxes.  Produced from Polyethylene terephthalate PET  orPETE         Weight: 220g      Embodied energy content: 0.36 litres petrol or 11.81 MJ/Kg Location: collected Dun Canna beach, Ross-shire

 

#COPcube [3. High-density polyethelene ]

COPcube3 top BW txt copyDimensions: 20 x 20 x 20 cm    Material : mussel pegs – used in aquaculture, cast plastic

Produced from High-density polyethelene HDPE     Weight: 4196g     Embodied energy content: 10.15 litres petrol or 334.29 MJ/Kg    Location: collected Shetland beaches

 

#COPcube [4. Polypropylene]

COPcube 4 flattened

Dimensions: 7 x 7 x 7 cm       Material : plastic tubes – sticks/shafts of ‘cotton bud’ products – domestic /cosmeti    Produced from Polypropylene PP                               Weight: 138g   Embodied energy content: 0.4 litres petrol or 13.17 MJ/Kg Location: collected Portobello & Crammond beaches, Firth of Forth

 

 

#COPcube [5. Polyethylene]

COPcube5 persp flattened copyDimensions: 5 x 5 x 5 cm    Material : mixed micro fibres from ropes, strapping, plastic bags etc Commercial & domestic sources    Produced from Polyethylene terephthalate PET  orPETE      Weight: 14g         Embodied energy content: 0.022 litres petrol or 0.753 MJ/Kg         Location: collected Badentarbet beach, Ross-shire

 

The embodied energy calculations include the energy used in the feed stock (raw material) used to manufacture the plastic, it also includes the energy used to manufacture and transport the finished plastic product.

The energy content data used is from the ICE database. Craig Jones at Bristol University created it. http://www.circularecology.com/embodied-energy-and-carbon-footprint-database.html#.VlyZtIX9M7A

A series of arts events are taking place all over the world, as part of the ArtCOP 2015. You can find out more at http://www.artcop21.com . The Scottish partner for this is Creative Carbon Scotland. Please follow and pass on the links and feel free to leave a comment

John McIntyre is trying to work out using the available data on resource abundance, population, agriculture and realistic engineering if it is possible for us to construct a sustainable civilization from the trap humanity has accidentally constructed following the century long unplanned transition from a feudal near medieval society to an age of great danger and wonder.

Studio 4

Spending much longed for time – concentrating on growing ideas for my Littoral Art Project exhibition in 2016 & 17. To do this I have become a happy inmate of studio 4 at An Talla Solias  in Ullapool. My week’s residency has so far focused on beginning to story-boarding  my animation idea which will be an integral piece of my exhibition . Its  exciting to be venturing into an new medium which has intrigued and inspired me over the years.

Studio 4 Studio 4 TS

With over arching thoughts writ large to keep me on track  post-it notes multiplied daily and my narrative has begun to develop, re-positioning the notes aiding rethinking twists and turns of the plot.

Studio 4 board

Gradually ideas are being sketched out across the studio wall  to try and envisage the 2 min film I’m aiming for. Thankfully I have  many friends and colleagues here in Ullapool well versed in my journey and happy to listen to my latest sequence of thoughts.  I also wonderfully have film and documentary maker Sara Nason to call on for mentoring advice , who reminds me of the importance of keeping emotion in the mix.

Studio 4 postit Studio 4 CU post its Studio 4 storyboard Studio 4 story bosard 3

My aim is for sound to be central to the animation though crucially without dialogue, with this in mind I am about to re check my sound notes  on each page before copying and posting to my film collaborator JJ Jaimieson in Shetland for his comments and input.    My plan is to shoot the film on both Isle Martin (Summer Isle) here in Ross-shire and on Shetland in the spring.         JJ Jaimieson will be generating the sound track and editing, this will take  place at the Mareel, Shetland Arts Centre next summer. Shetland Arts have sponsored the studio and editing time for the film.     Thank You.

Studio 4 strapping 2 studio4 strapping

Before leaving  my wonderful  ATS studio and heading back to Edinburgh I will be sorting through a bag of beach litter carefully selected to make a piece of work  which connects this coastal WASTE issue to the bigger Climate Change issue. I will be showing the work here on the blog and on TWITTER #artsgogreen as part of the ArtCOP Scotland events  responding to  the important climate change negotiation (30 Nov-12 Dec). Other arts responses can be found at  Cape Farewell with UN updated over view at COP21

Scotlands Climate March

Saturday 28th November 2015, gather at 12 noon on The Meadows, Edinburgh

 

 

Good News

This week I had confirmation that Creative Scotland have awarded Open Project Funding towards a Littoral Art Project Exhibition which will take place in Shetland in October 2016 and in Ullapool in 2017.

CS logo 1 copy    Rhue polystyrene copy

I am utterly delighted that I can begin to put outline plans to make the work  into action. The award covers 27% of my estimated costs, so there is still more to raise but many individual supporters and organisations have also generously made promises of support in kind and my Shetland partners  the Shetland Amenity Trust are also seeking funding. I will be including a full list of supporters on the Sponsorship page, along with a list of items and  help still needed to make the exhibition successful.   The fund raising will continue so if you have any ideas  of who might help please get in touch!

plastic rocks     Plastic Rock

I plan to begin my process of making work by collecting materials I intend using for my installation, firstly ‘plastic rocks’ each piece will be Grid Referenced and catalogued.  As usual I will be inviting people to join me in collecting  along beaches. Dates and locations to be announced. If you are doing any beach walks/cleans in either the Northwest Highlands or Shetland GeoParks – please keep any plastic rocks you find on the beaches with a note of where you picked it up and I will collect from you .

Please follow the blog, Tweet and leave any comments and suggestions.

 

 

CO2 Count

Having recently been  introduced to looking at the natural landscape  in terms of carbon storage and points of exchange through taking part in the Flux Chamber investigation  at the Environmental Arts Festival Scotland EAFS. I am increasingly conscious that the litter that I and thousands of people this weekend  (18th-21st Sept) are surveying and collecting for the Marine Conservation Society’s (MCS) annual Big Beach Watch across the UK  represents vast volumes of wasted/discarded carbon, that may of only been used once.

plastic bag scottish P1090105 cover image bag on sand

The MCS annual survey enables pollution sources to be identified and is a vital tool in being able to take action to pressurise DEFRA and governments to bring in positive environmental legislation e.g. the charges for one time use plastic carrier bags. Last October our MCS survey on Ullapool East Shore Beach recorded a marked drop in the number of carrier bags. Having just helped out on the Beach Watch Event at Robyn Hoods Bay (a North Yorkshire beach regularly cleaned), the need for the ban to be introduced in England is very obvious as shredded and degrading  bags  cling to the seaweed along the strand-line, not surprising as 7.6bn were handed out to English shoppers in 2014.  The partial ban will take effect next month (October) and will hopefully will have a similar effect to Wales where there has been dramatic drop in carrier bag litter, in Scotland there as been an 80% drop in their use  since 2014.

DSCF9503 80 bags +
My hope is that MCS 2015 analysis of the Beach Watch Survey will show a marked decrease in the  thousands of heavy bags of litter/carbon collected and hauled up the beaches this weekend. Its estimated 80% of litter will be plastic, the massive bags of litter like all ‘unsorted/mixed’ waste in bins around the UK will be transported to waste transfer stations and then on to landfill sites, such as the one I visited at Caithness last year . The non-biodegradable plastic (engineered from oil) buried in these sites ironically   may last  longer than the million year process took to form the oil from marine organisms.

landfill mound

The weight of such carbon use and waste is  thankfully being felt and highlighted as the Climate Change Conference COP21 approaches, fantastically creative ideas about a new ways of approaching use of resources and reducing environmental damage are being aired BBC R4’s Future Proofing programme explained positive ideas on the ‘Sharing Economy’ you can ‘share’ via the Twitter #future.

clyde tide line 1

Low down on the tide line of the Clyde
I along with artists across Scotland  ArtCOP Scotland and the World are creating artworks and events to capture in some way the urgency and hope that is needed to draw the commitments and resolve from politicians and most of all from ourselves and our communities. The Capefarewell arts organisation has just launched their Art COP21 events calendar and is encouraging us all to take part with events addressing climate change. My contribution will begin with a short film compiled from images low down on the tide line of the Clyde . The film will be shown on line here and projected at beach locations I visit  during the autumn.

For details of locations of the projection locations and dates please click on the blog FOLLOW button above and please share any Beach Watch observations made this weekend by leaving a comment below.

Many thanks to Laura Shirra and Noel Hawkins for taking on organising the Beach Watch event in Ullapool, I will share their findings in due course and compare with the previous two years results.
MCSS & MCS Beach Watch events continue today and tomorrow check out and join one near you http://www.mcsuk.org/beachwatch

Carrier Bag charges in Scotland have reduced the number of  one use bags in Scotland/http://www.theguardian.com/environment/plasticbags

 

Connecting the littoral zone

While I have positioned myself within the littoral zones of the NW coast of Scotland over the past 3 years, to undertake this project, I am increasingly conscious of the need to stand up and to take a look outside of the zone. Projecting my notes helps me keep in mind the vast network of global environmental that each piece of litter connects us too.  The enormity of this bigger picture  makes me keen to make links with other artists focusing on environmental issues .

carbon change projection climate chang projection  oil projection eaten projection

Reassuringly there is a growing number of artists focusing on ‘Nature and Culture’ and  in Scotland many of which can be found through through Eco-Arts Scotland word press site. Many of these artist’s like me embrace working in a cross disciplinary way. Kate Foster is one such artist who is presently working with  a biogeochemist  Susan Waldron and environmental writer Dr David Borthwick on  a project entitled Flux Chamber. All three collaborators will be sharing their knowledge and findings next weekend at the Enivronmental Arts Festival (details below) They will demonstrating how the Flux Chamber measures carbon locked in water by taking festival participants  on a guided walk and exploration of a watercourse around Morton Castle. Together they will be instigating discussions, mapping and an exploration of our carbon landscape.

OLYMPUS DIGITAL CAMERA  Flux Chamber

Artists seem naturally to cross disciplinary lines but it is refreshing when scientists and thinkers do this too. I recently posted a link to a great website called Worldly which highlighted an article by Audra Mitchell a refreshing thinker into global environmental ethics, she boldly states that she is not bound by any medium, and she puts forward that multiple registers of meaning and visual images can help to crystalise the enormities of environmental phenomena. I totally agree imagery can make ideas about difficult subjects more thinkable or imaginable.

casting votes for beaches #IVoted copy  Plastic Rock  my marine object 1

As I explore ways to develop my imagery to tell the complex stories of the litter objects that I pick up, I am encouraged to discover and read about the  work of other artists who are creating successful and arresting visual work that is tackling urgent environmental issues.  Heather Davis and Etienne Turpin have recently edited a wonderful book  ‘Art in the Anthropocene’ published by Humanities Press. It is a publication which creatively and critically looks into the ‘politics of nature and culture’ and is full of the inspiring writings of artists and images of their work addressing a vast array of issues associated with how we are affecting our environment, each other, disputed territories, war, pollution, excessive consumption, migration, the legacy of past generations. Global issues touching us all.

  Art in the anthropocene Book cover aerosolar 2 Museo Aero Solar  Thomas Saraceno

Aerosolar is one of the most outstanding projects of collective visual action I have learned about and now wish to witness, by a collective of artists based in Italy lead by Thomas Saraceno. Museo Aero Solar is a flying museum, a solar sculpture made up of reused plastic bags, with new sections being added each tie it travels the world, changing techniques and shapes and growing in size every time.
So far it has been shown in Italy, Mecico, Canada, United Emirates and France. It is an inventive liberating sculpture which offers a different conception of space and energy by utilizing our waste and free solar (thermodynamic) energy. The Museo Aero Solar will touch down again next Wednesday August 26, 2015 at 21er Haus in Vienna. In the sculpture garden. Free with a valid exhibition ticket.  I certainly wish I could be there!

WORK_disputed01_t Disputed  Senkaku Islands   2014  Map Office

As I am preoccupied with the litter pollution we find on many remote Scottish islands, I was drawn to the work of Map Office and artists Laurent Gutierrez & Valerie Portefaix who are based in Singapore, they often play with island metaphors in their staged hyper realistic photographs and installations. The simplicity and strength of their work is clear in a piece entitled ‘Disputed’ 2014 which borrows (& therefore highlights) elements of ongoing geopolitical disputes around the world about sovereignty, resources . It is a dart game designed to conquer those disputed territories according to the countries that claim them.

Below are a few links to the references made here focusing on nature and culture:
Environmental Arts Festival   http://environmentalartfestivalscotland.com/whats-happening-this-year/ is a free festival which uses art installations to inspire discussion about our environment and our role in protecting it. This year’s chosen space – Morton Castle in Upper Nithsdale, Dumfries and Galloway – is a dramatic festival backdrop that will provoke thought and trigger sensory experiences.
EAFS 2015 takes place over the weekend of 29th/30th August.

Eco art scotland http://ecoartscotland.net/  is a platform for research and practice. A resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers.

Art in the Anthropocene http://openhumanitiespress.org/art-in-the-anthropocene.html

Creative Carbon Scotland  http://www.creativecarbonscotland.com

Map Office  http://map-office.com/exhibitions/

Museo Aero Solar  Thomas Saraceno   https://museoaerosolar.wordpress.com/