Studio 4

Spending much longed for time – concentrating on growing ideas for my Littoral Art Project exhibition in 2016 & 17. To do this I have become a happy inmate of studio 4 at An Talla Solias  in Ullapool. My week’s residency has so far focused on beginning to story-boarding  my animation idea which will be an integral piece of my exhibition . Its  exciting to be venturing into an new medium which has intrigued and inspired me over the years.

Studio 4 Studio 4 TS

With over arching thoughts writ large to keep me on track  post-it notes multiplied daily and my narrative has begun to develop, re-positioning the notes aiding rethinking twists and turns of the plot.

Studio 4 board

Gradually ideas are being sketched out across the studio wall  to try and envisage the 2 min film I’m aiming for. Thankfully I have  many friends and colleagues here in Ullapool well versed in my journey and happy to listen to my latest sequence of thoughts.  I also wonderfully have film and documentary maker Sara Nason to call on for mentoring advice , who reminds me of the importance of keeping emotion in the mix.

Studio 4 postit Studio 4 CU post its Studio 4 storyboard Studio 4 story bosard 3

My aim is for sound to be central to the animation though crucially without dialogue, with this in mind I am about to re check my sound notes  on each page before copying and posting to my film collaborator JJ Jaimieson in Shetland for his comments and input.    My plan is to shoot the film on both Isle Martin (Summer Isle) here in Ross-shire and on Shetland in the spring.         JJ Jaimieson will be generating the sound track and editing, this will take  place at the Mareel, Shetland Arts Centre next summer. Shetland Arts have sponsored the studio and editing time for the film.     Thank You.

Studio 4 strapping 2 studio4 strapping

Before leaving  my wonderful  ATS studio and heading back to Edinburgh I will be sorting through a bag of beach litter carefully selected to make a piece of work  which connects this coastal WASTE issue to the bigger Climate Change issue. I will be showing the work here on the blog and on TWITTER #artsgogreen as part of the ArtCOP Scotland events  responding to  the important climate change negotiation (30 Nov-12 Dec). Other arts responses can be found at  Cape Farewell with UN updated over view at COP21

Scotlands Climate March

Saturday 28th November 2015, gather at 12 noon on The Meadows, Edinburgh

 

 

Good News

This week I had confirmation that Creative Scotland have awarded Open Project Funding towards a Littoral Art Project Exhibition which will take place in Shetland in October 2016 and in Ullapool in 2017.

CS logo 1 copy    Rhue polystyrene copy

I am utterly delighted that I can begin to put outline plans to make the work  into action. The award covers 27% of my estimated costs, so there is still more to raise but many individual supporters and organisations have also generously made promises of support in kind and my Shetland partners  the Shetland Amenity Trust are also seeking funding. I will be including a full list of supporters on the Sponsorship page, along with a list of items and  help still needed to make the exhibition successful.   The fund raising will continue so if you have any ideas  of who might help please get in touch!

plastic rocks     Plastic Rock

I plan to begin my process of making work by collecting materials I intend using for my installation, firstly ‘plastic rocks’ each piece will be Grid Referenced and catalogued.  As usual I will be inviting people to join me in collecting  along beaches. Dates and locations to be announced. If you are doing any beach walks/cleans in either the Northwest Highlands or Shetland GeoParks – please keep any plastic rocks you find on the beaches with a note of where you picked it up and I will collect from you .

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CO2 Count

Having recently been  introduced to looking at the natural landscape  in terms of carbon storage and points of exchange through taking part in the Flux Chamber investigation  at the Environmental Arts Festival Scotland EAFS. I am increasingly conscious that the litter that I and thousands of people this weekend  (18th-21st Sept) are surveying and collecting for the Marine Conservation Society’s (MCS) annual Big Beach Watch across the UK  represents vast volumes of wasted/discarded carbon, that may of only been used once.

plastic bag scottish P1090105 cover image bag on sand

The MCS annual survey enables pollution sources to be identified and is a vital tool in being able to take action to pressurise DEFRA and governments to bring in positive environmental legislation e.g. the charges for one time use plastic carrier bags. Last October our MCS survey on Ullapool East Shore Beach recorded a marked drop in the number of carrier bags. Having just helped out on the Beach Watch Event at Robyn Hoods Bay (a North Yorkshire beach regularly cleaned), the need for the ban to be introduced in England is very obvious as shredded and degrading  bags  cling to the seaweed along the strand-line, not surprising as 7.6bn were handed out to English shoppers in 2014.  The partial ban will take effect next month (October) and will hopefully will have a similar effect to Wales where there has been dramatic drop in carrier bag litter, in Scotland there as been an 80% drop in their use  since 2014.

DSCF9503 80 bags +
My hope is that MCS 2015 analysis of the Beach Watch Survey will show a marked decrease in the  thousands of heavy bags of litter/carbon collected and hauled up the beaches this weekend. Its estimated 80% of litter will be plastic, the massive bags of litter like all ‘unsorted/mixed’ waste in bins around the UK will be transported to waste transfer stations and then on to landfill sites, such as the one I visited at Caithness last year . The non-biodegradable plastic (engineered from oil) buried in these sites ironically   may last  longer than the million year process took to form the oil from marine organisms.

landfill mound

The weight of such carbon use and waste is  thankfully being felt and highlighted as the Climate Change Conference COP21 approaches, fantastically creative ideas about a new ways of approaching use of resources and reducing environmental damage are being aired BBC R4’s Future Proofing programme explained positive ideas on the ‘Sharing Economy’ you can ‘share’ via the Twitter #future.

clyde tide line 1

Low down on the tide line of the Clyde
I along with artists across Scotland  ArtCOP Scotland and the World are creating artworks and events to capture in some way the urgency and hope that is needed to draw the commitments and resolve from politicians and most of all from ourselves and our communities. The Capefarewell arts organisation has just launched their Art COP21 events calendar and is encouraging us all to take part with events addressing climate change. My contribution will begin with a short film compiled from images low down on the tide line of the Clyde . The film will be shown on line here and projected at beach locations I visit  during the autumn.

For details of locations of the projection locations and dates please click on the blog FOLLOW button above and please share any Beach Watch observations made this weekend by leaving a comment below.

Many thanks to Laura Shirra and Noel Hawkins for taking on organising the Beach Watch event in Ullapool, I will share their findings in due course and compare with the previous two years results.
MCSS & MCS Beach Watch events continue today and tomorrow check out and join one near you http://www.mcsuk.org/beachwatch

Carrier Bag charges in Scotland have reduced the number of  one use bags in Scotland/http://www.theguardian.com/environment/plasticbags

 

Connecting the littoral zone

While I have positioned myself within the littoral zones of the NW coast of Scotland over the past 3 years, to undertake this project, I am increasingly conscious of the need to stand up and to take a look outside of the zone. Projecting my notes helps me keep in mind the vast network of global environmental that each piece of litter connects us too.  The enormity of this bigger picture  makes me keen to make links with other artists focusing on environmental issues .

carbon change projection climate chang projection  oil projection eaten projection

Reassuringly there is a growing number of artists focusing on ‘Nature and Culture’ and  in Scotland many of which can be found through through Eco-Arts Scotland word press site. Many of these artist’s like me embrace working in a cross disciplinary way. Kate Foster is one such artist who is presently working with  a biogeochemist  Susan Waldron and environmental writer Dr David Borthwick on  a project entitled Flux Chamber. All three collaborators will be sharing their knowledge and findings next weekend at the Enivronmental Arts Festival (details below) They will demonstrating how the Flux Chamber measures carbon locked in water by taking festival participants  on a guided walk and exploration of a watercourse around Morton Castle. Together they will be instigating discussions, mapping and an exploration of our carbon landscape.

OLYMPUS DIGITAL CAMERA  Flux Chamber

Artists seem naturally to cross disciplinary lines but it is refreshing when scientists and thinkers do this too. I recently posted a link to a great website called Worldly which highlighted an article by Audra Mitchell a refreshing thinker into global environmental ethics, she boldly states that she is not bound by any medium, and she puts forward that multiple registers of meaning and visual images can help to crystalise the enormities of environmental phenomena. I totally agree imagery can make ideas about difficult subjects more thinkable or imaginable.

casting votes for beaches #IVoted copy  Plastic Rock  my marine object 1

As I explore ways to develop my imagery to tell the complex stories of the litter objects that I pick up, I am encouraged to discover and read about the  work of other artists who are creating successful and arresting visual work that is tackling urgent environmental issues.  Heather Davis and Etienne Turpin have recently edited a wonderful book  ‘Art in the Anthropocene’ published by Humanities Press. It is a publication which creatively and critically looks into the ‘politics of nature and culture’ and is full of the inspiring writings of artists and images of their work addressing a vast array of issues associated with how we are affecting our environment, each other, disputed territories, war, pollution, excessive consumption, migration, the legacy of past generations. Global issues touching us all.

  Art in the anthropocene Book cover aerosolar 2 Museo Aero Solar  Thomas Saraceno

Aerosolar is one of the most outstanding projects of collective visual action I have learned about and now wish to witness, by a collective of artists based in Italy lead by Thomas Saraceno. Museo Aero Solar is a flying museum, a solar sculpture made up of reused plastic bags, with new sections being added each tie it travels the world, changing techniques and shapes and growing in size every time.
So far it has been shown in Italy, Mecico, Canada, United Emirates and France. It is an inventive liberating sculpture which offers a different conception of space and energy by utilizing our waste and free solar (thermodynamic) energy. The Museo Aero Solar will touch down again next Wednesday August 26, 2015 at 21er Haus in Vienna. In the sculpture garden. Free with a valid exhibition ticket.  I certainly wish I could be there!

WORK_disputed01_t Disputed  Senkaku Islands   2014  Map Office

As I am preoccupied with the litter pollution we find on many remote Scottish islands, I was drawn to the work of Map Office and artists Laurent Gutierrez & Valerie Portefaix who are based in Singapore, they often play with island metaphors in their staged hyper realistic photographs and installations. The simplicity and strength of their work is clear in a piece entitled ‘Disputed’ 2014 which borrows (& therefore highlights) elements of ongoing geopolitical disputes around the world about sovereignty, resources . It is a dart game designed to conquer those disputed territories according to the countries that claim them.

Below are a few links to the references made here focusing on nature and culture:
Environmental Arts Festival   http://environmentalartfestivalscotland.com/whats-happening-this-year/ is a free festival which uses art installations to inspire discussion about our environment and our role in protecting it. This year’s chosen space – Morton Castle in Upper Nithsdale, Dumfries and Galloway – is a dramatic festival backdrop that will provoke thought and trigger sensory experiences.
EAFS 2015 takes place over the weekend of 29th/30th August.

Eco art scotland http://ecoartscotland.net/  is a platform for research and practice. A resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers.

Art in the Anthropocene http://openhumanitiespress.org/art-in-the-anthropocene.html

Creative Carbon Scotland  http://www.creativecarbonscotland.com

Map Office  http://map-office.com/exhibitions/

Museo Aero Solar  Thomas Saraceno   https://museoaerosolar.wordpress.com/

 

Thinking Without the Circle: Marine Plastic and Global Ethics

Excited to have found Worldly IR fascinating and mind invigorating articles. Trying to mine the wonderful references/links to learn more. May have to join Political Geography to access the full Marine Ethics and Global Plastics paper. J Barton http://www.littoralartproject.com

Audra Mitchell's avatarWorldly

My new article on marine plastic and global ethics in Political Geography is now available as a free download here until 2 July, 2015. Here’s the abstract: 

Gyre 1 by Audra Mitchell and Liam Kelly. All rights reserved. Gyre 1 by Audra Mitchell and Liam Kelly. All rights reserved.2015. Here’s a little bit about the article: 

Marine plastic has received significant attention as a spectacle of consumer waste and ecosystemic fragility, but there has been little discussion of its ethical implications. This essay argues that marine plastic poses a direct challenge to the basic frameworks of global ethics. These frameworks are dominated by the image of the ‘circle’, an abstract boundary intended to separate ‘humanity’ from the rest of the universe and insulate it against harm. However, this article argues that marine plastic undermines the ‘circle’ in two ways. First, it embodies conditions of ‘hyper-relationality’, including entanglement and the properties of toxicity, that penetrate the boundaries of ‘the circle’…

View original post 106 more words

Still Life

After focusing on taking precise photographs  of 40 different objects individually, for the Guide to Beach Litter,  I decided  to take a few sessions  selecting out objects to combine together  to create a series of simple ‘still life’ images …..

plastic spoon    

flip flop & plastic rocks

…… positioning objects together quickly suggested narrative ideas

‘flipflop trailing plastic rocks’ and ‘Syringe resting on ‘plastic rock’

syringe & plastic rocks

These simple still life’s put me in mind of Eileen Agar’s surrealist assemblages in particular her     ‘Marine Object’ 1939 (below right), in which she assembled a natural rock, horn and star fish.

imagesInspired I set about making my own ‘Marine Object’  using three different beach litter objects I found on beaches this year – ‘rocks’,  fishing line and a spoon. The significant difference being that they are all plastic and require no specialist conserving .

my marine object 1

Working in the littoral zones I have frequently felt like I was inhabiting a  surreal dream/nightmare landscape not dissimilar to Dali’s ‘Mountain Lake’ or  ‘The Persistence of Memory’. Melted plastic bags could quite easily replace the slumped clock over the branches of the tree  in the Memory landscpae

index dali  dali lake

With such thoughts in mind the simple ‘still life’s’ quickly developed into sets and introducing my architectural models the surrealist ideas of playing with shifting scale,  introducing distortion to create confusion and tension all came  flooding into my notes.  Useful ideas which I intend to use in my animation over the next year.

working in ESW ESW staging business mand & plastic products

plastic frame  through the view finder  ESW notes
Photographs taken in the Edinburgh Sculpture Workshop July 2015

 

Photo shoot

Over the last few days I have sorted through hundred’s of litter items collected across the littoral zones  of  over 20 beaches  on the west coast and more recently Shetland to select 40 items identified  with Dr Cowie  two weeks ago for possible inclusion in the Guide to Beach Litter.

trays litter items

My aim is to select the ‘best’ samples that are representational of what might be found on the beach.

set up seaweed cropped
So far 20 items have been photographed  each item being  shot multiple times on a selection of settings to ensure I achieve the best image possible. The items will be  digitally ‘cut out’ and positioned on the Guide layout . My aim is that the Guide should echo the  natural history field guides where the species are collaged together on each page.

positioning items processing images

But before the processing can begin there are another 20 items to choose, group together, position, reposition and photograph.

caps

I estimate that the ‘Guide to Beach Litter’ will cost £3,000 to produce. £1,100 has been pledged  which will cover the photographing , processing and layout of the work . I still need to raise  £1,900 to  cover the printing  – ideas of how to raise this would be much appreciated.   Many thanks.

Donations to the project can be made through Paypal  check out how to do this on the Sponsorship page.

Celebrating – World Environment Day

To celebrate World Environment Day #WED2015 today I crossed the Clyde for a meeting with marine biologist Dr Phillip Cowie at the Millport Field Study Centre FSC on Cumbrae to begin to map out the ‘Guide to Beach Litter’.

Fairly beach  ferry toCumbrae
We began by making a long list of 40 commonly seen litter items, trying to cover items made of different materials , coming from a range of different sources, i.e. originating from the land , the sea and whether they are from commercial or beach users. I will circulate this list around groups such as the Marine Conservation Society  Shetland Dunna Chuck Bruck group and other organisations /groups cleaning beaches around the Scottish coast to see if the list is representational . If anyone reading this list feels I should consider including an item I have not listed that they see in significant numbers please get in touch – use the comment box below or e mail  littoralartproject@btinternt.com

Long list
PLASTIC 1. fibres 2. bottles 3. Gunwads/cartridges 4. Ropes 5.Food wrappers 6.Mussel pegs 7. String /cord 8. Caps/lids 9.barrels 10. Wipes 11.cigarette lighters 12. Drinking straws 13. Work gloves 14.fishing nets/pieces 15.fishing line 16. Melted plastic rocks 17.Strapping bands 18.Plastic pieces 19.Bags 20. Pack Yokes 21. Syringes 22. Pellets/nurdles 23.cotton bud sticks 24.tampon applicators 25.sanitary ware strips
POLYSTYRENE /STYRENE 26..Polystyrene pieces 27.Foam
METAL 28.Aerosol cans 29.Drinks cans 30.BBQ disposable 31. Scrap metal 32.Batteries 33.Foil food containers
RUBBER 34.Balloons 35.Tyres WOOD 36.Pallets/crate GLASS 37.Bottles CERAMIC 38.pottery   OTHER 39. Tarmac 40. Concrete

Millport visit 2  Millport Notes

Our conversation on litter items ranged widely interestingly discussing the least hazardous materials first – glass and ceramics – which once they have been rounded with the wave action they pose a relatively small hazard to marine organisms the wider environment and ourselves. From here we launched into the plastic abyss and we noted down the vast array of hazards they pose to all organisms including our selves touching on the research studies now taking place of the effects of plastics if/when eaten by us in seafood.

Strapping black Burwick  DSCF9521 Plastic bag scottish CU Burn beach melted rope
The plastic items will undoubtedly make up the biggest section on the guide, as more and more items like work gloves we call ‘rubber gloves’ are now commonly made out plastic. A reflection of the plastic nature of our world . Clear images of the litter items, like the one below will be used in the Guide with simple descriptions which will include usual dimensions and the material/s

Plastic Rock
This #WED2015 has been a wonderfully positive day thanks to donations given in response to my Crowd Funding appeal last month.

The next step is to raise the remaining money needed. So far £675 has been received and this will cover the photography work and first draft of the text , the remaining pledged money (another £530 ) will cover the consultation process, editing, design and layout work. I am still looking to raise £1,800 to print the Guide, please get in touch with any suggestions.
New and pledged donations can be made through PayPal using the project email address littoralartproject@btinternet.com press ‘pay for goods & services’. If in doubt go to the Sponsorship page.  Don’t forget to leave a message if you would like to receive a reward of a Guide or beach litter key ring. Many thanks.      I will keep you all updated on the progress of this piece of artwork.

 

 

Sharing ideas – Ragged University Talk

On Thursday evening I embraced  the  ethos of the Ragged University’s talks: ‘to share ideas you are passionate about and to learn something new’ and I enjoyed illustrating my ‘News from the Littoral Zone’ at the Counting House in Edinburgh. The evening also included a mind stretching talk by  Susan Brown from Manchester University on Sustainable Education and allowed the audience and myself to join in with the current thinking on educational approaches to ecologically aware education

The audience was wonderfully  attentive and I was happy to illustrate my research process of exploring the littoral Zones on the NW coast of Scotland  through images taken over the past 2 years  that I have  shared in this blog.  These included my initial shocking strand-line walks, learning survey methods, related hazards and the longevity of respective materials found, plus my trials to creatively share my findings with local community members. Take a look back through the posts.

I began by passing around  evidence bags  of litter items collected over the past two years from 18 beaches and exhibited during my residency at An Talla Solais, Ullapool’s Arts Centre during my residency in 2013 and then shown as part of my installation at Ullapool Museum in 2014.

evidence bags 1

I then shared my thoughts on how I am now honing down my research  findings to be able to focus on specific findings that are the most poignant to me and that inspire me to make strong vital imagery.  Item wise I am now looking in more depth at 3 of the less easily seen litter items found.

Gun Wads: plastic wadding to keep the ammunition in place   either in a gun-barrel or in a paper or metal shell.

IMG_4454

180 plastic wads were collected last autumn on beaches  around Reiff on the Coigach peninsula by committed local beach cleaners concerned  by the fact that these  ‘wads’ have been found to significantly contribute to the death of porpoises, dolphins and turtles.Which is understandable when you view the gun wads floating in the sea as they are so similar to squid. Ecowad alternatives are available.

gun cartridges our contribrition to the ocean conveyor belt

Last week on Shetland I witnessed plastic gun wads on every beach I visited, as there is no known shooting activity on the islands, the Shetland Amenity Trust ‘Dunna Chuck Bruck’ team that I was working with thought it probable that they originated from the from the same place that the lobster tags washed up traced back to Canada’s east coast.   If we follow the conveyor belt of the ocean currents  round it is therefore likely that the  gun wads dropped on Scotland’s NW coast will be ending up on along the eastern Seaboard of America at some point.

Micro-fibres: degrading particles of plastic litter  e.g. rope, bags sacks, cord

IMG_4455

Even on the cleanest looking beaches, where no obvious  litter items are seen,  I have  found micro-fibres laced within sand grains or caught up in/on the seaweed. On mass the fibres are easily visible but when not visible they can be seen easily amongst collected sand grains or seaweed with a hand lens or USB magnifier.   Marine Biologist Dr Phillip Cowie at Millport Field Study Centre explained filter feeding organisms  such as Prawns, flat fish and even sand hoppers are being recorded with such fibres in their guts.

Plastic rocks: melted plastic waste, formed by burning plastic litter on the beaches

IMG_4456

Plastic rocks are perhaps one of the hardest litter items to ‘see’  as the process of burning so many different coloured plastic materials together, often results in  range of grey muted tones which blend in easily with the beach pebbles . I have recorded most of these ‘rocks’ in the mid zones of the beach as they are one of the densest of the plastic items and are less prone to being wind blown.

As I explained in my last post  the melted plastic rock  has now been named  ‘plastiglomerate’ by a Canadian research team and their research findings have led them to argue that the proliferation of the plastic rocks around the world can be seen as a marker horizon of human pollution.

Plastic Rock

I explained that I felt that this broad project knowledge was vital to gain before I could begin to envisage the series of  visual and performance artworks that I am now planning. I am presently working with Shetland Amenity Trust and Highland Arts organisations to raise funding to make the Littoral Art Exhibition possible in the coming year.  I intend to make installations and related stop frame animations focusing/using plastigomerate’s and the micro-fibres that I find practically on every beach I investigate.

Many thanks to Alex Dunedin who organises the Ragged University Talks, and to Susan Brown who through her fascinating talk on Sustainable Education has enabled to me see how my practice fits well in the Sustainable Education models currently being discussed and developed.

 

 

Exploring ideas in Shetland 2

16.5.15  I headed northwest on Shetlands mainland to observe a small part of  Shetlands  incredibly complex geological landscape.  Rocks found on these Isles span  3 billion years covering every era from the Precambrian to the Carboniferous and is the reason why Shetland is one of the three GeoParks in Scotland .  The most dramatic of these landscapes must be seen at Eshaness point (below) where the volcanic landscape which stretches out into the Atlantic .

Esha Ness

The  banded cliffs are the result of repeated lava flows from the nearby Eshaness volcano active 350 million years ago. The cliffs and the information they hold about past time periods have made me reflect again on what will ‘mark’ our time on this planet.  Instantly what comes to mind is the plastic ‘rocks’ I first noticed and collected on Isle May a year ago and have picked up on beaches here on Burwick beach during our big beach clean and today  on Breawick  beach (below) near  Stenness.

IMG_4382

For obvious reasons this is one of the most un-seen forms of beach litter, the melted plastic is often in muted tones and can  through time can be rounded like stone into pebble-like forms almost indistinguishable from the stones around them. Its rare that I find a beach now without these plastic ‘rocks’

I use the word ‘rock’ ironically but at the same time that I was collecting samples of this form of beach litter on  Isle Martin’s Back Beach I became aware of the work of a team of scientist’s led by Patricia L Corcoran  ( full credits below) who made similar observations on Kamilo Beach on the island of Hawaii in 2013 went on to name melted plastic rocks  ‘plastiglomerate’ . Their research findings and  extrapolation bares chilling reading especially as they go on to argue that the proliferation of this plastic rocks around the world can be seen as a marker horizon of human pollution .  The plastic rocks having been formed by our actions which have produced the plastic litter that is washed up and dropped in vast quantities around the world and is then burned .

Burn Beach 1 Burn beach sign Burn beach melted rope
Communities close to remote beaches be they in Hawaii or here in Scotland when faced with ever increasing mounds of plastic waste often try and reduce the litter by burning it. Its an understandable reaction especially on beaches like these. But the process of burning the plastic on the beaches  releases chemicals such as carbon monoxide, polycyclic aromatic hydrocarbons and dioxins which can cause neurological symptoms, cancer, and hormonal disruptions in humans. The creation of this new metamorphic  ‘rock’ layer is a sad addition to our shores , Geoparks and planet.

Scall air

As I head back to the Scottish mainland today I take with me new thoughts and understandings from what I have witnessed on the beaches in Shetlands Geopark and on the beaches with enthusiastic children. My week in Shetland has been a powerful experience meeting enthusiastic people in many organisations across Shetland – interested in the potential of a joint  project that the Shetland Amenity Trust team and I are working to raise funding to make happen.

Research ref: An Anthropogenic marker horizon in the future rock record

Patricia L Cocoran, Dept of Earth Sciences, University of Western Ontario Canada . Charles J Moore Algalita Marine Research Institute California USA Kelly Jazac Dept Visual Arts, Ontario Canada